First Posted on November 24 2014
Last Saturday (November 15) Simon was interviewed for an article about seeing the Sex Pistols at the 100 Club at the Punk Rock Festival of 1976. The article also mentions legendary Trash co-vocalist Jane Wimble (as was) and is illustrated with a fine Barry Plummer photograph
See it here
Don’t bother with the comments that follow the article. Online commentators might not be so unpleasant if they had to post under their real names….
Detour Records – Trash webpage
First posted on March 12 2012
http://detour-records.co.uk/trashinfopage.htm

Trash pages on Bored Teenagers website
First posted on March 12 2012
http://www.boredteenagers.co.uk/TRASH.htm

Punky Gibbon: Another punk website featuring Trash!
First posted on April 21 2014
Jane @ Punky Gibbon has completely updated her entry on Trash, for which many thanks. It’s here:
http://punkygibbon.co.uk/bands/t/trash.html
We have also done a brand new Q + A which you can find here:
http://punkygibbon.co.uk/bands/t/trash_simon_interview.html

Trash in “Punk Britannia”
First posted on June 19 21012
Thanks to eagle-eyed David Key for pointing out that Trash appear in the third instalment of this excellent BBC4 documentary. There’s a shot of the Priorities sleeve on the wall of Rough Trade Records! It comes about halfway through, blink and you’ll miss it.

Vive Le Rock CD Review

First posted on March 12th 2012
Trash – This Is Complete Trash! (8/10) Spasms – Return of the Spud Gun Kids (7/10)
Only Fit For The Bin Records
A fan of obscure late 70s lost punk rock oddities? Two previously unacknowledged discoveries here via Bin Liner Records, each accompanied by arch sleevenotes that demonstrate the participants weren’t entirely blinded by ambition, nor have their memories been too cruelly scalded by regret. Naturally then, it’s going to be low-grade, clueless bedroom thrashing that was never released for a very good reason. Well, no. The Spasms disc, despite the graffiti’d brick wall cover, is far more expansive than you might imagine. There are evident post-punk influences (especially on ‘The Guilty Go Free’ and the excellent ‘The Stranger’), and some unexpected playfulness in terms of both lyrics and rhythm that place them, occasionally, somewhere between Squeeze and the Members. Trash are slightly rockier, absolutely in the best traditions of the New York Dolls, and more than competent at it. Their Polydor singles ‘Priorities’ and the Shel Talmy-produced ‘N-N-ervous’ are included, alongside an unreleased third; the genuinely enthralling ‘In On All The Secrets’.
Alex Ogg, written for Vive Le Rock magazine
First posted May 27th 2011
Record Collector CD Review
http://www.recordcollectormag.com/reviews/this-is-complete-trash
Trash – This Is Complete Trash!

Take no notice, they’re just being modest
Trash formed in October 1976 by students at the Food Technology College in St George’s Hill, Weybridge. As singer Simon Wright says in his sleevenotes, “The Food Technologists would have been a great name for a band,” but they went for Trash “partly because of the New York Dolls song, but possibly because we thought it would put us beyond further criticism.” How wrong they were.
Trash discovered punk when Wright and Jane Wimble, who shared lead vocals in the early days, caught the Pistols playing one of their infamous “unannounced” support slots at one of their college dances – and the die was cast. John Peel’s manager, Weybridge resident Clive Selwood, secured the band a deal with Polydor, and the label released Priorities in November 1977. N-N-E-R-V-O-U-S, produced by Shel Talmy, followed in June 1978, but when neither single sold (despite airplay from a “gerrymandered” John Peel), Polydor dropped them.
It was a shame, as Trash’s combination of punk, pub-rock and NY sleaze deserved a better crack of the whip. Rescued from the bin, this collects both singles, previously unreleased studio and live tracks, and a 1977 interview on Radio 210.
Only Fit For The Bin | OFFTB 013

Hyped2Death CD Review
http://hyped2death.com/catalog/product_info.php?products_id=208
TRASH -This Is Complete Trash! CD (OFFTB 013)
H2D: Their classic first 45 (‘Priorities’), a less-impressive second, a fine, melodic, neverbeforereleased ’79 session, and some good-to-generic live tracks. None of it’s terrifically original, but who cares when the touchstones are the Heartbreakers, Saints, Birdmen, and various punky 60s sounds… 12 tracks and an informative 12-page booklet.

Amazon User Reviews
http://www.amazon.co.uk/This-Complete-Trash/dp/B004JXMSLI

Bucketfull Of Brains review

First posted on April 21 2014

I popped into Record & Tape Exchange in Notting Hill Gate on Saturday afternoon (Record Store Day) and found a hardback book entitled ’77 – The Year of Punk & New Wave’ by Henrik Bech Poulsen (Helter Skelter, 2005). It is a ludicrously detailed look at the music of 1977 and devotes half a page to Trash, and here it is:

First posted on May 25 2017
Ahead of the new Shel Talmy retrospective Record Collector magazine ran a retrospective on his productions through the years. Bizarrely whilst including Talmy’s work with the Who, the Kinks and David Bowie they missed out his work with Trash! A letter has now been published in the June edition of Record Collector to redress the balance. Here it is:

The Rolling Stones, U Arena, Paris
Wednesday 25th October
View: Down the front in the Pit on Ronnie’s side (but close enough to see the flamingo pattern on Keith’s shirt…)
This brand new 40,000 capacity arena in central Paris made a fitting setting for the three final gigs of the Stones No Filter European tour. Sympathy For The Devil was an innovative opener and the two blues songs Just Your Fool and Ride’ Em On Down provided an early opportunity for Mick Jagger to demonstrate his harmonica prowess. A faultless She’s A Rainbow – tonight’s web choice – belied its 50 years. Encore Gimme Shelter was a showcase for Sasha Allen, her duet with Jagger featuring less vocal histrionics than was the case with latter-day Lisa Fischer.

The powerhouse at the centre of tonight’s rousing performance was the ever-crisp Charlie Watts on drums and effervescent Ronnie Wood on guitars. Jagger was in a mischievous mood, telling jokes about Theresa May and ending a stunning Street Fighting Man by playing Charlie’s cymbals. Guitarist Keith Richards nonchalantly smoked a joint before a moving Slipping Away featured the evocative line “Oh it’s just another show…” Not for tonight’s highly enthused and very multinational crowd. So until next year…
Review written for Record Collector Magazine

Thanks to Laura Alberti for the photographs

From Mick Brophy
Hi Simon,
You’ve done a great job on the MySpace site!
I think Keith’s wrong and John the Finn did not commit suicide, rather he was pushed under a train at Birmingham New Street.
When The Cheaters were about to do our first tour of Scandinavia, we though John, with all his languages, and being a seasoned crew member for all sorts of 70’s bands behind the iron curtain, would be perfect. I contacted Brian Devoile, who then tried to contact John for me. He was put through to the Police and given the 3rd degree, John having just died. Brian was seriously shaken about this – not just John’s death but the manner in which he was quizzed.
OK, maybe suicide. However John had friends in Turku, Finland, a band call The Fabrics who we tried to help out. The Cheaters did our first gig of the Finnish tour at Turku and the Fabrics came to say thanks. They told us his body had been returned to Turku for burial and expressed utter astonishment that we did not know of his clandestine political activities. Quote “Didn’t you know (impleid: he was a spy)”?
As soon as they said this you re-run what you know about the guy. Trash backdrop – revolutionary art – picked by John. The guy had no material needs whatsoever (he lived in our cellar for God’s sake). Brilliant linguist – fluent in many East Bloc languages. Went from East to West at random in vans full of difficult to search band and PA gear. And not forgetting Finland was THE cross-roads for spys of both sides during the cold war – the government ran a tightrope of pleasing both Russia and the West.
My guess – he was a courier. But for who?
Can anyone offer any further information ?
Cheers
Mick

Never Made It
Never Made It (NMI) was the brainchild of Clare Evans, who late in 2004 put up notices in record shops reading ”Artist seeks photos / videos / memorabilia for exhibition tribute to bands that never made it.”
Her aim was to ‘put the underdogs of the music industry in the limelight and celebrate all that was not to be’. Over a drink in Highgate’s Boogaloo bar it was quickly decided that Trash met Clare’s criteria and so Simon excavated as many photos and bits of memorabilia as he could find.
The next step was to make a documentary of three of the least successful bands in the exhibition – The Secrets, The Trespassers and Trash. Accordingly Simon and Mick were interviewed on camera by Clare at Simon’s office in early 2005.
On May 2nd 2005 the Notting Hill Arts Club staged the opening night of Clare’s Never Made It Exhibition. Photos and memorabilia were displayed throughout the club. Beautifully made badges and fanzines were on sale. Clare showed the 18-minute Never Made It documentary for the first time, to a great reaction from those present.
Coincidentally Nude magazine has run a series of features on unsuccessful bands titled “Beautiful Losers’, with issue 8 (Spring 2006) featuring Trash and Never Made It (www.nudemagazine.co.uk)

Tracks
In On All The Secrets (Trash)
What Do You Think About That? (Trash)
Previously unreleased. Produced by Nigel Gray. Recorded at Surrey Sounds Studios on March 11th 1979.
Simon Wright (lead vocals), Mick Brophy (rhythm guitar, harmonica, vocals), Neil Cossar (lead guitar), Keith Steptoe (bass, vocals), Simon Butler-Smith (drums)

N-N-E-R-V-O-U-S (Trash)
Page 3 (Dumb Blondes) (Trash)
Publishing: Sara Bee Music Ltd
Released by Polydor as a single 2059 013 on June 2nd 1978.
Produced by Shel Talmy. Recorded at Roundhouse Studios, Camden on February 1st 1978.
Simon Wright (lead vocals), Mick Brophy (guitars, harmonica, vocals), Keith Steptoe (bass, vocals), Simon Butler-Smith (drums).

Priorities (Trash)
Look (Trash)
Nnervous (Trash)
Publishing: Sara Bee Music Ltd
Priorities and Look Released by Polydor as a single 2058 939 in October 1977. Nnervous is a previously unreleased version.
Produced by Trash & Clive Selwood. Recorded at The Old Smithy, Worcester in September 1977.
Simon Wright (lead vocals), Mick Brophy (guitars, harmonica, vocals), Keith Steptoe (bass, vocals), Brian Devoil (drums)

Hippy Hippy Shake (Chan Romero, published by Ardmore and Beechwood)
96 Tears (Rudi Martinez, published by Essex Music International)
Louie Louie (Richard Berry, published by Peter Maurice Music)
Previously unreleased.
Simon Wright (lead vocals), Mick Brophy (guitars, vocals), Keith Steptoe (bass, vocals), Steve Pearce (drums)
Demos recorded ‘live’ by Duncan, October 1976, the Assembly Hall, National College of Food Technology, Weybridge, Surrey.

Menace (Trash)
Previously unreleased. Recorded live at Bones Club, Reading on February 15th 1978
Simon Wright (lead vocals), Mick Brophy (guitar, vocals), Keith Steptoe (bass), Simon Butler-Smith (drums)
Bonus Track: Radio 210 Interview – Mick Brophy and Tony Bellekom, Reading, Berkshire 1977
All tracks digitally remastered by Nick Duckett of Rhythm And Blues Records (www.rhythmandbluesrecords.co.uk).
Single tracks transferred from vinyl by James Perrett (www.jrpmusic.net )

About these tracks
After 33 years I am amazed we could find a decent selection of Trash tracks in reasonable quality, and delighted that Only Fit For The Bin wanted to release the results. It is a short, sharp selection – we spared you the dodgy demos, sluggish slowies and creaky covers.
In retrospect I am impressed by how much we managed to achieve using very limited raw materials. We were young, energetic and unsophisticated and we turned these limitations into virtues. We got better as we played more gigs and did more recording, to the point where my favourite tracks are the final ones we recorded together.
Unlike most bands who formed in 1976 we were big fans of pre-punk rock’n’roll – listen hard and you’ll hear riffs from Heaven And Hell (the Who) and Happy (the Rolling Stones), the one-note guitar solo from the Feelgoods’ I’m A Hog For You Baby plus lyrical references to the Stooges and John Otway & Wild Willy Barrett. Our version of 96 Tears owed little to ? and the Mysterions but a great deal to live performances by Eddie and the Hot Rods. We used to medley it with our spirited rendition of Rescue Me but sadly I have been unable to find a listenable version of the latter in the pile of crappy cassettes that have provided the source material for this compilation.
Maybe next time? No – This Is Complete Trash!
Simon Wright, London, August 2010
![X1100tm[1]](https://onlyrockandroll.london/wp-content/uploads/2017/10/x1100tm1.jpg?w=497)
Thank you Jane Wimble, Clive Selwood, Nick Duckett, Marie-Clare Gaulthier, John The Finn, Geoff Horne, Jon Parry, Pete Hawkins, Clare Evans, Stewart Home, Rich Linton and anyone who had the good taste to see us live back in the day.
Keep up with Hot Trash News at http://www.myspace.com/trashpunk

This is what renowned cultural commentator Stewart Homes had to say about our second single on his website:
“N-E-R-V-O-U-S” by Trash. Another A1 production job, this time by legendary American maverick Shel Talmy, the man behind the early Kinks and Who sound. This is just fabulous, power pop doesn’t get any better! There were a lot of great British pop records that came out in the late-seventies and didn’t make the charts, and I particularly love this one.”
(www.stewarthomesociety.org/pol/amis.htm)



